We saw Achtung Baby coming in Night and Day

u2 memoir, Cole Porter, Eric ShivversThe industrial dance influence that came with Achtung Baby was really no surprise to me. I saw it coming when U2 released the track Night and Day on the Cole Porter tribute Red Hot + Blue. Many stars previous to U2 had covered the song, a certified classic. In fact, it’s the anchor tune in the Great American Song book. However, U2 takes Night and Day to another level by bringing in an industrial backing track, a drum machine, Edge’s guitar and a conga. What true blue U2 fans were seeing in the fall of 1991 was the makings of what is to come in U2’s next studio project Achtung Baby.

The Night and Day recording is really is a one-off and it’s the bridge song from The Joshua Tree / Rattle and Hum era to the new beginning of U2. What those four minutes or so of recorded was taking a risk and running with it. Bono begins to give the song its darkness by almost speaking the opening phrase. As the chorus rolls along in its brilliance, he keeps the darkness as he wails for the late night lover who lives in the narrative. What Bono is really working towards is the falsetto, which will become his bread and butter vocal for upcoming tracks on Achtung Baby.

The video, on the other hand, displays the band as actors, at the very beginning, as they hold their instruments while letting their lead singer take over. Each band member seems to be pondering not only the lyrics but also the existence of the band. We see the signs now that this was the turning point of this great group. What we were unaware of was what was really around the corner as U2 progressed into digging deeper into a darker side of themselves as Achtung Baby was coming to life in the studio which was a push for them to move into uncharted waters of alternative rock, industrial and dance music.

In hindsight, Night and Day is a gem of a track and it’s ageless. The band, without pressure of a full-length record to produce, sits in and works out a new sound without hesitation. U2 followed their edict of going home to dream it all up again as they said they would. For the next seven years, U2 completely changed their sound. There were bumps along the way but in my mind, this recording session was the seed of their expansion and escape from the overexposure they had in the late 80s from their success with The Joshua Tree.

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